quinta-feira, 21 de setembro de 2017

NEKROHOWL: No Clean Singing Streaming A New Track of Bangladeshi Old School Death Metal Trio


NEKROHOWL, an entity that has already marked themselves as a formidable force in the South Asian metal scene with their deadliest sound and intense live annihilation. Their upcoming debut EP "Epitome of Morbid" is a must a listen for those -- who love putrid form of death metal music.

No Clean Singing exclusively Streamed the second track "Blasphemy Still Unnamed", which can be found at this location.

“This song has a lot going for it. For most of its duration, it flies like a bat out of hell. Its sheer speed and ferocity give the band a chance to display impressive technical skills as well as extreme viciousness, not only in the accelerated savagery of the frenzied riffs but also in the barrage of merciless drum battering. The roaring vocals are convincingly monstrous as well.” — No Clean Singing

Originally started as a death metal quartet in the crypt of Dhaka, Bangladesh, NEKROHOWL was formed a year ago by the members of acclaimed local acts like Abominable Carnivore, Dissector, Enmachined and Homicide. A death evoking, rotten sounding rehearsal demo was soon manifested, which was followed by an oversea live annihilation on the other side of the Bengal — Kolkata, India. With the vilest form of sound and high-powered live performances, they have marked their place as a formidable force in the realm of South Asian extreme metal music.

Earlier in the year, the band encountered with lineup issues, when the vocalist and drummer had to left the band, but that did not stop NEKROHOWL from blazing fiercely; Warmonger (Warhound, Ex: Orator) as a replacement in the position of drum-hammering and Obliterator taking over the charge of vocal duty turned them as a power trio, and this incident marks a significant step forward for the band. Climbing to the peak of their powers with this monstrous lineup, the bestial trio embarked on a mini-tour, named as “Agonize and Excruciate Tour 2017”, to support Japanese death metal maestro Desecravity at their Dhaka, Kolkata and Shilong live dates.

Debut EP “Epitome of Morbid” is undeniably the most anticipating metal release from the country. With 05 tracks (including an intro), clocking in at around 20 minutes, the EP incorporates the captivating intricacy of Suffocation, sheer gruesomeness of Autopsy, belligerent tone of Immolation, vitriolic intensity of Morbid Angel, demon invoking power of Hellhammer, and malefic darkness of Dead Congregation. The song structures clearly demonstrate the members’ sole object of the exercise, and it is nothing but to play the hard-hearted form of death metal music. Whereas many contemporary old school rooted extreme metal bands from the subcontinent fail to sustain the primitive atmosphere because of the production, NEKROHOWLhas cautiously maintained that dark, rotten vibe of old school death metal within these tracks.

Limited number of copies of the EP will be released locally in digipak format, which will be followed by cassette issue from Malaysian label Diabolicurst Productions, and cd, cassette and vinyl release from American label Slaugherhouse Records. An EP launching gig will take place in Dhaka during the local digipak release date on 30thSeptember, 2017.


NEKROHOWL - Epitome of Morbid

Genre: Death Metal
Release Type: EP
Release Date: September 30, 2017 (Local Digipak CD)
Labels:
Independent / Diabolicurst Productions / Slaughter House Records

Format:
Digipak CD – Self Released
Cassette – Diabolicurst Productions (Malaysia), Asian Release
CD, Cassette & Vinyl – Slaughter House Records (USA)

International and Asian releases will take place later of this year

Track - List:

1.Summoning Darkness
2.Blasphemy Still Unnamed
3.Worship Thy Malevolence
4.Epitome of Morbid
5.Mortal Incubation

All tracks recorded, mixed and mastered at Music Theater

Lineup:

Obliterator — Guitars/ Vocals
Sadist — Bass
Warmonger — Drums

Cover Art: Grasen Artstyle


PRE-ORDER:


DARK WATERS END Exclusive Stream: "Immortal Consciousness"


Philadelphia's DARK WATERS END have partnered with Toilet ov Hell for the premiere of "Immortal Consciousness," a track from forthcoming album Submersion. Stream it at: http://www.toiletovhell.com/premiere-dark-waters-end-immortal-consciousness/

Submersion will see the light of day on October 7. Visit the following link to pre-order the album: http://www.darkwatersend.bigcartel.com/product/dark-waters-end-submersion

The band previously released the official lyric video for "Congenital Vice," which is available at https://youtu.be/wJ79RyJGWAE. The single is also streaming on Bandcamp. While you're at it, make sure to check out Decibel's exclusive stream of "Up The Dose" at this location

DARK WATERS END takes progressive death metal to a level that makes you think twice about nodding your head in standard timing. This eclectic group of musicians teeter on the boundary of what many in the Philadelphia area describe as technical metal, but without the need for a scientific calculator. Their music consists of an all-embracing range of metal, from a variety of influences to create a very dynamic and progressive sound. 

DARK WATERS END has a sound that can range from beautifully-haunting to terrifying in a matter of minutes. Influences from bands such as Converge, The Dillinger Escape Plan, and The Faceless inspire the band to approach metal from all angles and can be aggressive, peaceful, and brutal all within a single song. Additionally, influences from bands such as The Contortionist and Between the Buried and Me have paved the way for the band to incorporate atypical melodies and provide a robust blend of progressive metal.

"The influences from Converge, The Dillinger Escape Plan, Candiria and Between the Buried and Me are all still there, but the final product is more refined and distinctly Dark Waters End."
- Decibel Magazine

"Dark Waters End are arguably what happens when a generation raised on Candiria and Cannibal Corpse gets their radical shit together."
- Metal Hammer

"The deep ocean is a terrifying place, and Dark Waters End channel its essence into some truly nasty prog death."
- Toilet ov Hell

"Sure to win over fans of challenging groove laden metal."
- All About The Rock

"DWE taps into very different vessels, and surprises in every song with great variety."
- Lords of Metal

Track Listing

1. Immortal Consciousness
2. Empty Skies
3. Mass Grave
4. Congenital Vice
5. Unquenchable
6. The Great Dirge
7. Rat King
8. Hell Can't Be Worse
9. Velocirapture
10. Bucket Of Flesh
11. Up The Dose

Album Credits

Recording & Mixing: John Boyce & Sylar Sound Studio
More Recording & Editing: AJ Viana, Jay Esbensen
Mastering: Mark Lewis of West West Side
Artwork: Georgi Georgiev of Moon ring Design
Band Photos: Al Rende
Practice Home: Surreal Sound Studio in Philadelphia

Management: Rob Wharton of Fresh2Deaf Management


BIO

The band began its current formation in 2012 with vocalist John William, guitarist Elijah Masiko, drummer Ian McGarry and bassist Chris Williams. It's at this time that the band truly developed and defined their sound. In 2014 lead-guitarist Ian Wright joined the band, bringing a most sought after dynamic. Since then the band has recorded their debut EP "Rat King" released in early 2016, and most recently completed their first and much anticipated full-length Submersion.

The hard work, dedication, and determination of DARK WATERS END has allowed them to share the stage with acts such as Candiria, Car Bomb, Psyopus and Ion Dissonance.

John William - Vocals
Elijah Masiko - Guitar
Ian Wright - Guitar
Chris Williams - Bass
Ian McGarry - Drums

Contacts:


DEATHRONED: sign to Witches Brew


Witches Brew is proud to announce the newest member of the Brew Crew, DEATHRONED, killer Thrash metal from Paris, France! The first release with these guys will be a 10" split LP with fellow countrymen MORTAL SCEPTER! This release is planned for January/February 2018. Follow and thrash with DEATHRONED at http://deathroned.bandcamp.com/ and https://www.facebook.com/DeathronedThrash


quarta-feira, 20 de setembro de 2017

THE KAHLESS CLONE Release Play-Through Video for "If Only We Had More Time Together"


Chicago Instrumental Dark Music Band THE KAHLESS CLONE have released a guitar play-through video for "If Only We Had More Time Together...," a track from forthcoming EP "Our Never-Ending Loneliness". View the video at https://youtu.be/BCwaQaz9GlY


Our "Never-Ending Loneliness" will be released November 3 on digital and CD formats. Featuring NOVEMBERS DOOM guitarist Vito Marchese, the new EP builds on the foundation established with stunning debut EP "An Endless Loop", and forges the vibe of dark metal, with the sonic landscape and emotional buildups of post-rock.

Stream first single "Is This What You Wanted" and pre-order "Our Never-Ending Loneliness" at: https://thekahlessclone.bandcamp.com/album/our-never-ending-loneliness

In other news, THE KAHLESS CLONE has a launched a new website. Check it out at: www.thekahlessclone.com

Track List:

1. I Would Leave All of This Behind, and so Would You
2. I Can Almost Reach You
3. If Only We Had More Time Together...
4. This Is All Falling Apart
5. Is This What You Wanted?

Music Written & Arranged by The Kahless Clone 
Produced by The Kahless Clone & Chris Wisco 
Recorded & Mixed by Chris Wisco at Belle City Sound 
Mastered by Collin Jordan at The Boiler Room 
Photography by Mario Salazar 
CD Layout by Paul Kuhr 

"'Our Never-Ending Loneliness' shows off the impeccable chops of The Kahless Clone in creating a spellbinding work, one that draws the listener deep into a perfectly sculpted timeless sound."

- Beachsloth


THE KAHLESS CLONE is:

Ben Johnson - Keys 
Zach Libbe - Electronic Drum Programming 
Vito Marchese - Guitars 
Garry Naples - Drums 
Larry Roberts - Bass

Contacts:

Source: ClawHammer PR

LOSTAIR: Video premiere for "The Bible Code"


The Metal band LOSTAIR have released the Lyric video for the song 'The Bible Code', from the upcoming album "Ad Jubilaeum" (out via Revalve Records on October 2th).



Contacts:

X-EMPIRE - Grief (álbum)


Ano: 2017
Selo: Independente
Nacional

Nota: 9,6/10,0


Tracklist:

1. And
2. Suffocating Me
3. Let It Die
4. World in Grey
5. All Masks Fall
6. Become
7. Lost
8. End of Integrity
9. My Darkest Days
10. Demonized
11. End


Banda:


Michel Marcos - Vocais
Raphael Dantas - Vocais, teclados
Rogério Oliveira - Guitarras, teclados
Felipe Gabriel - Baixo
Raphael Jorge - Bateria


Contatos:

Site Oficial:
Twitter:
Instagram:
Bandcamp:


Texto: Marcos “Big Daddy” Garcia


Hoje em dia, fazer discos de Metal se tornou algo bem mais fácil e acessível do que há 20-30 anos no passado. E isso causa um dilúvio de discos no mercado, alguns muito bons, outros nem tanto, e outros que preferiríamos “desouvir”, tamanho o trauma que causam aos ouvidos. Mas ao mesmo tempo em que a tecnologia de gravação barateou e evoluiu, algumas bandas ótimas conseguem fazer trabalhos de primeira, sabendo usar das tecnologias em seu favor. E nisso, o X-EMPIRE, de São Paulo, é um mestre. Após a estréia em alto nível com o EP “End of Times” de 2014, eis que eles voltam com seu primeiro “full-length”, “Grief”.

Não há muita diferença estilística entre “End of Times” e “Grief”. Ainda temos o bom e velho Metal tradicional com uma sonoridade moderna, agressiva e pesada, com melodias de fácil assimilação, e mesmo algumas partes mais extremas (sim, há vocais guturais por todo o disco). Mas uma diferença surge para os ouvidos mais atentos: agora, o trabalho da banda está preenchido por uma boa dose de melancolia, um feeling introspectivo que transpira de suas melodias, algo como se a raiva dos momentos agressivos transpirasse em momentos de dor e tristeza nas partes mais melodiosas.

Traduzindo: “Grief”é um ótimo disco, desafiador e diferente.

“Grief” foi gravado nos Flight Studios (que pertence a Rogério Oliveira) e no M&H Studio (este de propriedade de Michel Marcos), com a mixagem e masterização do próprio Rogério (guitarrista do grupo) feitas no primeiro. E a sonoridade obtida consegue ser híbrida e balanceada entre a agressividade latente do grupo e a força de suas melodias modernas, mas sempre muito clara, além do uso de timbres instrumentais bem selecionados. Ou seja, ficou de primeira!

Já a arte de Marcus Lorenzet (da ArtSpell Artwork) ficou ótima, representando muito bem o conteúdo musical e lírico do grupo, usando tons de preto, branco, cinza e azul, em algo diferente do usual.

O amadurecimento do X-EMPIREficou bem evidenciado, pois em tudo ele soa mais evoluído e equilibrado, mais bem definido e com os arranjos musicais mais seguros. No fundo, a banda deu uma polida, uma pequena simplificada em suas canções, o que torna o trabalho acessível aos ouvintes. Mas isso tudo somado torna “Grief” um disco viciante.

O disco tem 9 ótimas canções, já que “And” e “End” são pequenas instrumentais em teclados para a aclimatação do ouvinte. Mas a brutal e melancólica “Suffocating Me” (que apresenta boas mudanças rítmicas, partes progressivas, refrão marcante, além de uma saraivada de ótimos riffs e duetos vocais muito bons), a intensa e envolvente “Let It Die” (que possui participação especial de Chris Clancy), a modernosa e cativante “All Masks Fall”e sua dose de Groove intenso (outra vez, ótimos riffs e um refrão de primeira), a força melodiosa e de arranjos mais simples de “Become”, o peso cavalar intenso de “End of Integrity” (baixo e bateria mandando ver em uma base rítmica de peso e com boa técnica), e a soturna e intensa “Demonized” (com melodias mais subjetivas e boas passagens de teclados) são os melhores momentos.

No mais, “Grief”é um disco marcante, de primeira e serve para mostrar que as tendências mais modernas do Metal possuem representantes relevantes por aqui.

O X-EMPIRE é mesmo genial.


TRAUMA: "Comedy Is Over" re-release through Deformeathing Production


TRAUMA’s debut “Comedy Is Over” will be re-relased on 22nd of September 2017 by Deformeathing Production. The original tapes, recorded at S.L. Studio, have been carefully remastered by Piotr Gruenpeter from Satanic Audio, brand new layout has been created by Archart Studio. We also put a bonus track to the release!

Pre-order it now through Deformeathing Production website - https://deformeathing.com/index.php/trauma-comedy-is-over-cd.html

One track streaming on Deformeathing prods official Bandcamp here - https://deformeathing.bandcamp.com/album/comedy-is-over-dp-026cd

The “Comedy Is Over” is undoubtedly a milestone for Polish Death Metal scene. Released in 1996, it was way ahead of its time by its musical visionary, compositional bravery and, despite a debut, maturity in arrangements as well as uncommon lyrics.


The album received plenty of good words, being reviewed by the biggest magazines worldwide. But the issue was that it couldn’t be bought anywhere for more than 15 years… until now.

Read Mister’s comments on the case:

„Listening to these songs after all these years I felt like I was watching a family album and I have to admit it brought a tear to eye. I saw how the time had changed us, how it had brought the experience and had been giving us the freedom in creating our own musical space. Suddenly all the memories were back, I could feel the climate, the emotions that had been driving us, and all the musical inspirations that had defined TRAUMA. It’s all engraved on the “Comedy Is Over” music and has a very sentimental value for me. It tastes like wine after 20 years – it has a clear aroma, temper and strength. In my personal opinion, the album still sounds very honest and up-to-date.

So, I guess I have no other option but to wish you TRAUMATIC experiences after feeding your ears with the remastered “Comedy Is Over”! :)”

Band:

Label: